Laura Gardner

Laura Gardner

AEA, AFTRA, SAG

Service: 323.957.4764

Voice Over Demo

 

Laura spent time Melbourne, Australia where she taught 2 FOUNDATION classes for the new
HOWARD FINE ACTING STUDIO AUSTRALIA.

She also taught an intensive audition workshop in Sydney aided and abetted
by her husband, Frank Collison.

The Filmmakers Lifestyle – Featured Storyteller

Her classes here in LA begin
Wednesday, April 11th with READING FOR THE PROS
Thursday, May 10th with ongoing Scene Study
Saturday, May 19th with COMPREHENSIVE TECHNIQUE

323.957.4764
follow
me on twitter at
@thelauragardneror go to www.howardfine.com


323.957.4764
follow me on twitter at
@thelauragardner

SHREDD, the Jason Lee/Jack Black pilot, as Jason's mom!!

   
Mark de Carlo and Laura Gardner


Faizon Love and Laura Gardner

 

Laura just shot the feature God's Country.

 
Cast and Producers on God's Country


ECLIPSE OF THE HEART, the MEATLOAF/BONNIE TYLER b'way bound musical shot with other B'way veterans Kevin Early, Shoshana Bean, Stephanie Michels, Sean McDermott, and Fred Sanders and the book by the fabulous Henry Farnum who is also in the film!!

"Gardner steals the show as the rudely vital Ruth, a woman who thinks Dylan Thomas is something on HBO, and her final scene is the most powerful moment in the play. Variety Oct.2009 on RAZORBACK at The Rogue Machine Theatre Company"


LA TIMES Sunil Kuruvilla's "Fighting Words
"Uniformly mesmerizing, the actors give performances that are works of art. Sullivan is a simmering Modigliani about to burst off the canvas, while Gardner is Munch caught between a smile and a scream. Loucks is a mobile made out of tensile wire, fixed in place but spinning with compressed energy.

LA WEEKLY- Best Actress Nomination
Sunil Kuruvilla's play about a trio of women waiting for their men to return home from a boxing match is a full-throated ode to workaday female toughness and aspiration, traits that go largely unsung in the hardscrabble Welsh town of Merthyr Tydfil. . Director Tim Byron Owen gets wonderful performances from his three actors; though at points they're as emotionally clipped and as fiercely economical with words as we imagine their men to be, their relationship flowers over mixing bowls and stacks of laundry with a tender, but never teary, inevitability. Gardner is especially good, with her mobile mouth and wide-eyed look that is both winning and desperate.